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In Keylight Status or Combined Matte view (depending on your preference), raise Clip Black just enough to remove gray pixels from the background in Status view, and then lower the Clip White setting to just above the same number ( see Figure 8).To create this layer, follow these steps: The goal with this layer is to create a background matte that's 100% transparent and outside of all edge detail by several pixels.
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For clarity's sake, turn off effects for Edge for the moment.
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(Enable Move All Attributes in the Pre-compose dialog box.) Rename the layer Edge. Create a pre-comp containing the Keylight layer created with the previous steps.
HOW MUCH IS KEYLIGHT SOFTWARE SOFTWARE
This breakdown will work with any software keyer, but it's especially helpful to get the most out of Keylight. The three-pass method is the same principle, but it should save you from extensive hand-animating. Keylight's Inside Mask and Outside Mask controls let you draw a mask, set it to None, and then select it as an Inside Mask or Outside Mask. This method of isolating and focusing on the edge inspired me to devise the following workflow to achieve the same in an After Effects pre-comp, with as few extra steps as possible. The Apple Shake-based implementation of Keylight adds inputs for a garbage matte and holdout matte. Figure 7 Nice edges-it's the core of this matte that needs to be a little firmer.